These shoes are designed with a reversible connection between the sole and the upper, allowing the repair process to be more transparent in relation to the material the individual component is made of.

You can download them here: Obsolete / Friends / Clothes / Car / Drop

Minifigure heads on the Lego production line in Billund, Denmark, where two million Lego pieces are made every hour. This machine, one of several similar ones in the factory, can paint different expressions on each side of the heads.

The Billund factory’s ‘Cathedral’ warehouse, which is ‘manned’ by eight robots and 15 automatic cranes.

Minifigures are assembled on the production line.

Left: The Toy Story characters; and a virtual Buzz Lightyear – the lines in the background indicate brick size.

Lego heads in the painting machine.

One of the 12 production ‘legs’ in the factory – the finished Lego pieces are stored in the Cathedral.

Left: A large minifigure welcomes visitors to the ‘Idea House’; and completed products on display.

(I think the photography is by Alex Howe?)
via designyoutrust.com

It's quite a feat of industrial design to produce something in 1970 that still looks contemporary 41 years later. Sony handily achieved that feat with their TR-1825 radio, a modernist cube that you slid open to expose the speaker on the front face while simultaneously revealing the controls up top.

[Photos from Flickr user afghtiga's excellent "Design Icons" photoset]

Sony Design's History page states,

For me, the most interesting thing about the Comedy Carpet (one of the UK’s biggest ever pieces of public art which opened yesterday), is the typography and its actual production.

Collaborative artist, Gordon Young was inspired and supported in researching the content for the carpet by Blackpool-based comedy expert, Barry Band and historian and writer Graham Mccann, and on the typography and layout by graphic designer Andy Altmann of why not associates.

image: blackpool council

Production
Five years in the making: one of the most complex pieces of public art ever commissioned at first sight, the comedy carpet looks as if the text is painted, but in fact each of the 160,000+ letters has been individually cut from 30mm solid granite or cobalt blue concrete, arranged into over 300 slabs and then cast into high quality, gleaming white concrete panels. The letters range in size from a  few centimetres to over a metre so viewers can enjoy it both close up and from the  glass viewing platform in the blackpool tower eye.

The scale and incredibly complex nature of the work meant that comedy carpet team even had to set up its own bespoke studio to make the artwork. after several months of research with input from chemists and engineers the comedy carpet team devised new techniques and recipes for production including a special mix to produce the hardest and whitest of concrete and the perfect blue that won’t fade. The process of making each of the 320 slabs involved many complex stages from cutting, sorting, fettling, and laying out each of the letters, to a 3-stage casting process, curing, trimming, grinding and polishing. and that’s before it was transported to Blackpool for the installation on the headland.

gordon young selects letters for a part of the comedy carpet
image: blackpool council

image: blackpool council

image: blackpool council

image: blackpool council

section of the 'carpet' being cleaned
image: bbc

image: bbc

image: bbc

Created as part of the major regeneration of the promenade, the comedy carpet was commissioned by blackpool council, with part of a £4m grant from cabe’s seachange programme. catchphrases, jokes and songs from more than a 1000 comedians are now immortalised in concrete and granite artwork which is situated at the foot of  blackpool tower.

Artist Gordon Young has been working in the public realm for over 20 years creating pieces that mine rich seams of social history, engage communities and extend the relationships between art and architecture. at the heart of all gordon’s young’s work is language - words that entice, fascinate and on the comedy carpet, amuse.  titter ye not, just like that, oooo-er matron, nudge, nudge wink, wink, oh betty! suit you sir, yeah but no but, what’s on the stick vic? , in the comedy carpet young has created a giant 'giggle map' immortalising the UK’s favourite comedians and comic writers fromthe hey day of music hall to 21st century stand up.

blackpool council

Cookie Splash! by Siebe Warmoeskerken

http://www.notankers.ca
via booooooom.com

Advertising Agency: Serviceplan, Munich, Germany
Chief Creative Officer: Alexander Schill
Creative Directors: Alexander Schill, Maik Kaehler, Christoph Nann
Copywriter: Andreas Schriewer
Art Directors: Manuel Wolff, Savina Mokreva, Roman Becker
Others: Robin Ruschke, Michael Falkensteiner

via adsoftheworld
via designyearbook.com